In Coralie Fargeat's new feminist terror film The Substance, hazardous societal beauty specifications are the true monsters. They (women objectification, the disposal of "the outdated," the expansion of a field built on physical body adjustment) nourish a beast of a pattern that leads Demi Moore's fading TV individuality character Elisabeth Daz

This collection of reviews delves into the subtleties that make each movie a singular creation of art from complex character studies to astonishing cinematography. They give readers more understanding of filmmakers' choices, the movies' themes, and the effect they leave on people who watch them.Invaluable InformationDecker Shado Movie ReviewsFriday